why cedar
Back
why use western red cedar?
characteristics & properties of western red cedar
benefits of real cedar
real cedar history
real cedar certification
sustainability & the environment
biophilia
forestry facts
why use yellow cedar?
products
Back
siding
Back
introduction
design & spec
prep & install
finish & maintain
siding profiles & trim
decking
Back
introduction
design & spec
prep & install
finish & maintain
deck projects
outdoor
Back
introduction
design & spec
prep & install
finish & maintain
fences
indoor
Back
introduction
design & spec
prep & install
finish & maintain
indoor projects
timbers
Back
introduction
design & spec
prep & install
finish & maintain
diy projects
membership
Back
our members
Back
executive members
retailers
partners
tertiary manufacturers
certified cedar distributors
certified cedar distributors – usa
certified cedar distributor – canada
architects
international associates
why become a member?
membership levels
membership benefits
membership faq
join the wrcla!
member support
resources
Back
gallery
videos
blog
documents
Project of the Week: JJ Bean – Woodward’s

ACCT0448_origdialog1

Architect: DIALOG
Photos: Kristopher Grunert
Location: Vancouver, Canada

Aside from the leafy latte art, the biggest conversation starter at JJ Bean – Woodward’s is the bold use of wood. DIALOG architect Brady Dunlop didn’t just use hits of nature’s most versatile building material to warm the place up. He went all out with big beautiful slabs of the stuff. But there was nothing haphazard about his design choices.

The suspended western red cedar feature, for example, artfully delineates the barista bar area. As well, the funky café boasts massive 12”x12” cedar stacked walls that subdivide the raw ground floor space.

“They simultaneously provide a sense of warmth and lightness whilst serving as a reminder that the space is very raw and industrial,” explains Dunlop.

ACCT0448_N18_origdialog

They’re also a nod to the original Woodward’s timber structure, a now defunct department store that was heart and soul of this gritty area of East Vancouver between 1903 and 1999.

“The arrangement of these objects enables multiple scales of interpretation,” says Dunlop. “At a community level, they become a way for patrons to reference the location. At the building level, the large timber walls address the volume of the courtyard plaza, the massive concrete columns and the proportions of the cafe.

“At an intimate level,” he continues, “the stacked arrangement of end grain wood entitles the patrons referential access to the historical legacy of the neighborhood.”

ACCT0448_N3_origdialog

© 2026 All rights reserved
Gatsby Website Development by Jambaree

Image Gallery